MIDDLE
SCHOOL INFORMATION
EXPLANATION
OF RULES BY SPEECH CATEGORIES
IMPROMPTU SPEAKING RULES
A. The
time limit is five minutes maximum. There is no minimum time limit. Brevity
should be penalized only if it discloses a lack of knowledge of subject or
lacks complete speech. Over‑time will be a detriment.
B. Topics
will be announced to the contestants individually. The judge will call the
first speaker on the ballot into the room, announce the topic to him or her,
and give the speaker thirty seconds, no more, to prepare. When the first
speaker is finished, the second speaker will be called and the same procedure
follows. Speakers will stay in the room after their speeches until the round is
finished; they may not leave the room after they have given their speech. The speaker will be judged for his or her
ability to think on one's feet. The speaker is judged for the continuity of the
speech and the material he or she is able to call forth on. the
spur of the moment and mold that material into a logical speech. The speaker
will also be judged on the mechanics of speech ‑‑‑ poise,
quality and the use of voice, body action, and the ability to hold the
attention of the audience. The student will be penalized if he or she does not
stay within the time limit.
D. Topics
will be: a word, a saying and a current event. The topics will be alternated
each round. No specific order of topics will be announced. The current event
topic will be in a question form.
DRAMATIC AND HUMOROUS INTERPRETATION
RULES
A. The
selection must be a memorized cutting taken from a play, short story or novel
of recognized literary
quality which has been published in a book or magazine. ft
may be either prose or poetry.
B. The
selection shall require not more than eight minutes nor
less than four minutes for delivery. Failure to meet the time requirement will
be a detriment.
C. The
art of interpretation is to be regarded as recreating the characters in the
story presented and making them seem living and real to the audience.
Adaptations may be made for the purpose of continuity only. They should be
judged for their appropriateness as contest material and their suitability to
the particular contestants using them.
D. This
is a contest in oral interpretation, not solo acting. Although gestures and
pantomime are not barred, they should be used with restraint. The contestant
will be graded on poise, quality and use of voice, inflections, emphasis,
pronunciation, enunciation, and especially the ability to interpret characters
correctly and consistently.
E. Narrative
should be vivid and animated so as to be interesting and integral to the story
rather than just "filler" between portions of dialogue. The final test
of good interpretation is the ability to use all these factors so successfully
and unobtrusively that the hearer forgets that this is a contest and in
perfectly created atmosphere is carried away to the time and place of the story
being unfolded.
ORATORICAL INTERPRETATION RULES
A. These
selections are orations which have been delivered at some time and place by
their authors, who may or may not be expert speakers.
B. Any
subject matter appropriate for a contest of this nature may be used. The
selection must be delivered from memory.
C. The
oration shall require not more than eight minutes nor
less than four minutes for delivery. Failure to meet these time limits will be
a detriment.
D. This
contest comprises orations delivered at some other time and place by their
authors. The test of the speaker, therefore, is the ability to reproduce not
only words, but also the thought, emotion and effect of the original orator.
Subject matter is not to be judged except as to its appropriateness to a
contest of this sort. It may be either old or new. The time, place and
circumstances of its original presentation by its author must be set forth by
the contestant.
E. The
mechanics of speech must be observed faithfully ‑‑‑ poise,
quality and use of voice, effectiveness and ease of gesture, emphasis, variety
and enunciation. No particular style of delivery should be demanded of the
orator; rather, he or she should be free to develop or select an individual
style and then be judged according to the degree of perfection obtained and
effectiveness in influencing the audience addressed.
ORIGINAL
ORATORY RULES
A. This
oration is composed and memorized by the student who delivers it.
B. Any
appropriate subject may be used ‑‑‑ e.g., a eulogy of a great
person, a plea for the solution of a current political, social or economic
problem.
C. The
original oration will require four to eight minutes to deliver.
D. Not
more than 150 words of the oration may be a direct quotation from any other
speech or writing. Plagiarism will cause
disqualification.
E. Hypothetical
illustrations should not be personalized.
F. Since
these orations have been written by the contestants delivering them, the judges
will watch for thought, composition and delivery. However, since this is a
contest in speech, emphasis will be placed on the speech phase. Thought and
composition will be considered primarily in the way they are employed to make
the speech effective.
G. The
orator will not be expected to solve any of the great problems of the day.
Rather, he or she will be expected to discuss intelligently, with a degree of
originality, in an interesting manner, and with some profit to the audience,
the chosen topic. He or she will be given wide latitude in the ideas expressed,
but will be held accountable for the manner in which they are expressed.
H. Delivery
will be judged for mastery of the usual mechanics of speech ‑‑‑
poise, quality and use of voice, and bodily effectiveness ‑‑‑
and for the qualities of directness and sincerity which impress the oration on
the mind of the audience.
POETRY
RULES
A. The
student should prepare a poetry reading recital type of presentation which
should range from four to eight minutes. The poetry should be of the student's
own selection, and more than one poem must be used. The poetry selected should
have something in common, a line of thought that runs through all: for example,
three poems by the same author, two poems by different authors expressing the
same idea, two poems presenting directly opposite viewpoints, three poems which
use the same pattern of structure, rhythm or rhyme.
B. This
line of thought should be the basis for selection of the poems. The student
will prepare a script of continuity which he or she will deliver extemporaneously, stating what there was in the poems which
prompted their selection, pointing out their basic commonalties.
C. Poetry
must be read from script. No notes for the extemporaneous explanation are
permitted. The judge's decision will be mainly influenced by the reading of the
poetry itself. The purpose of the explanation is to add continuity and unity to
the poetry recital.
D. Students
should realize that eye contact with an audience is an essential element in an
oral reading situation.
E. The poetry
selections must be of recognized literary quality, taken from a published book
or magazine.
DUO
INTERPRETATION RULES
A. The
selection may be of dramatic or humorous nature and must meet IHSFA material requirements
and standards.
B. The
Duo must have two participants. It is legal to have more than two characters.
C. Participants
must read from a script.
D. Participants
must not play to each other. This is interpretation, not acting. No eye or
physical contact is allowed between the two students.
E. No
props or costumes are allowed.
F.
Selections must run from four to eight minutes. Failure to meet this time
requirement will be a detriment.
G. A
memorized introduction and transitions may be used.
H. No Duo
Interpretation participant may enter into Dramatic or Humorous Interpretation
competition using any part of the same material used in the Duo event.
EXTEMPORANEOUS
SPEAKING RULES
A. Topics for
this contest will be taken from articles discussed in leading magazines during
the three‑month period immediately prior to the tournament. The topics
will deal with people, social, economic, scientific or political events of
state, national or international interest. Magazines to be used for the
selection of topics will include Time, Newsweek
and U.S. News and Report since September 1st.
B. Topics
will be given to the students in question form.
C. There is no
minimum time limit; maximum time limit will be seven minutes. Brevity will be
penalized only if it discloses lack of information on the topic; over‑time
will be a detriment.
D. The first
contestant will draw three topics thirty minutes before speaking time and will
discard two and speak on the third. The remaining contestants will draw in like
manner in the order of speaking at intervals of seven minutes. Drawing of
topics will precede the first and second rounds; the third (final) round topic
will be chosen by the student from his first or second round draw.
E. After
topics have been selected and recorded, the contestants will be assigned to
rooms for preparation of material which will be made without consultation or
discussion with anyone. Reference books or magazines shall be provided by the
student. Card files or Reader's Guides may be consulted only for the purpose of
locating magazine articles. Highlighting of magazines is allowed; a file of
clippings is allowed; no outlines or annotations of magazine articles are
allowed. Violation necessitates disqualification.
F. A
director of Extemp will be in charge of the
preparation rooms. The director will check out the extemp
contestant on his or her way to the round event. Failure to check out with the
director will mean a last place in the particular round.
G. Extemp contestants will be held accountable for:
1. strict
adherence to the precise statement of the topic drawn and will be discounted
for shifting to another topic on which the contestant might prefer to speak;
2. well‑chosen
information relative to the subject as presented in current periodicals;
3. the organization
of materials according to a logical plan to produce a complete speech within
the time limit; and
4. effective delivery, including the usual mechanics of speech.
H. The Extemp speech is not to be a memory test of the material
contained in any one particular magazine article but rather an original
synthesis of current fact and opinion on the designated topic.
I. Notes
may be used, but they should not exceed fifty words.
DISCUSSION
RULES
A. Discussion Format
B. Student
Procedure
C. Discussion
Topics:
November Topic
Is
standardized testing such as ISTEP the most effective way to evaluate a
student’s academic achievement?
December Topic
What
should be the response to global warming?
January-February Topic
What
would be the best response to the childhood obesity crisis?
*Random
selection of discussion leader—the discussion leader should be a different
contestant for each round. You might
want to designate the discussion leader on the ballot.
RADIO
BROADCASTING RULES
A. There will
be three rounds of participation for all contestants. The order will be as
follows:
Prep
Time Speaking Time
Round
I
Commercial
Copy 30
minutes 1
minute
Round
II
Editorial 1 minute
1 minute
Round
III
News
Program
2 minutes
B. Instructions
for each round are as follows:
I . The commercial copy will
advertise a product which is recognizable in its nature or use. All
participants will receive the same informational copy about the product such as
product name, effects and contents, cost, and availability. The contestant
shall be given 30 minutes in which to write, edit, and rehearse a one-minute
final version of his or her original commercial.
II. Editorial
material will be chosen by the Tournament director. Each contestant will receive the same copy and have one minute to
prepare for its delivery. He or she may mark the copy but may not change its
content.
III. News
Program: The student participating should bring a two minute prepared
news program which they have arranged, edited and practiced beforehand. The
news program, presenting events of local, state or national importance should
not exceed two minutes.
C. Basis for judging each
round, corresponding to I, II, and III above, are:
I . Salesmanship, friendliness, fluency,
conviction, accuracy, voice and articulation;
II.
Persuasiveness..dignity, accuracy,
articulation, fluency, voice variety, authority;
III. Selection of items for news
worthiness, arrangement, transitions, voice variety, articulation, accuracy,
sign on and sign off, authority, sense of timing.
D. Students should not see
each other perform in the round; judges will not be able to see students while
they are "on the air."
PROSE INTERPRETATION RULES
A. The student should prepare a
selection of prose, that is at least four minutes in
length and no longer than eight minutes. The reading may be from one short
story, excerpt(s) from one longer work (not originally in script form), or one
essay, either fiction or non‑fiction taken from a book, magazine, or
newspaper that is published in print and is readily available to the public.
Local high school publications are not permissible. The focus of the piece
should be on narration as opposed to dialogue. Emphasis should be placed on
literary quality. Adaptations of the material should be made for the purpose of
continuity only.
B. While eye contact is
important, it should be remembered that this is a reading event. The
presentation itself is not to be memorized, but interpreted from the script.
C. An introduction should
include the title of the work and its author " well
as any other background material essential to the audience's understanding.
Introductions and transitions should be memorized. The judge's decision should
be influenced mainly by the interpretation of the selection rather than the
introductory material.